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Thursday, January 29, 2009
Monday, January 19, 2009
Notes of Painting
Painting and visuality
Painting is vision.Painting is factor x.Painting is visibility. Painting is image-space.Painting is learning to see.Painting is self-made reality. Painting is synesthetic vision.Painting is structuring attention.Painting is visible silence. Painting is developing ways of seeing.Painting is perceptual knowledge.Painting is self-actualisation.
Painting is personal freedom. Painting is the future of perception.Painting is having something to say.Painting is visual research.Painting is a meta-idea.Painting is a sign-vehicle.Painting is visual thinking.Painting is constructing meaning.Painting is iconic communication.Painting is about the dynamism of visual forces.
Painting and space
Paintings are about the human touch and trace.Painting belongs to culture as a domain to which people are extremely sensitive, because it provides a way of understanding oneself, a kind of shared experience.Painting as experience is about making decisions: a kind of give-and-take with the kinetic use of materials and the environment, analogous to the 'feel' of driving a car.
Painting raises many fascinating questions in relation to exploring notions of time, which probe into the very nature and purpose of painting.Painting not beautiful images, but necessary images.Painting rigorous, demanding and concentrated images.Painting images that surpasses beauty, in both intention and effect, and stress necessity.Painting supersedes what's personal by becoming 'Post-ego'.
Painting and experience
In painting color is a state of mind.In painting perception is consciousness and its antidote.In painting form and colour are ultimate identities.In painting 'reality' has always been virtual.In painting my subject matter is perception (the status of the image).In painting I want to make a vertigo between form and content.In painting my only dogma is that there are no dogmas.In painting art begins where theory ends. In painting I can interpret one sense by another.In painting I can make new models of reality, new forms of realism(s).In painting I can represent matter in its 'form of life' and color as the 'aroma of existence'.In painting metamorphosis is more mobile than movement.
In painting all that we see can also be otherwise.In painting I give 'reality' a new image, but no name.In painting I make not only visual images, but also auditory, olfactory and tactile images.In painting I am able to go beyond language and preconceptions, as one way to come close to an idea of freedom.In painting the artist transcends the craftsman.In painting an iconic sign is in a nomadic relation with what it signifies.In painting there is a profound difference between the world we see and the constructed image —the artifact (perception is 'not' based on retinal pictures —we do not see 'images' of the world: we see the world).
Painting and meaning
Painting transpositions of meaning.Paintings are the 'fuzzy logic' of icons. Paintings are a human source of mental comfort and consolation.Paintings are the iconology of the human imagination.Paintings are as aspects of existence that can come together in a psycho-dimension; the potential graduation, juxtaposition and tension between reality, representation and fiction, between a 'déjà-vu' and a 'jamais-vu' experience.Paintings are about the image of an image, of an image, of an image. . .Paintings are a stream of consciousness, transporting us into another dimension.Paintings are statements on the sensible power of images.Paintings are functioning as a reflection of emerging possibilities.Paintings are about constant becoming.Paintings are about now.
sourcehttp://www.doctorhugo.org/paintings/concepts.html
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